Skip to main content

He Ain't Heavy


He Ain't Heavy
is the debut feature from Perth writer/director, David Vincent Smith. It's a very prosaic look at addiction and what it can do to the family unit. In this case, the addicted person is Max, played by Sam Corlett. His mum, Bev, is played by Aussie/Italian/British (in that order) screen legend, Greta Scacchi. But the lead, and heart of the film, is Jade, a fantastic Leila George. She's the strung-out, desperate sister of Max, who hits upon a slightly controversial way of trying to get her brother clean.

The confronting opening scene sets up the rest of the film - Jade arrives at a house where a ruckus is occurring, namely Max trying to violently force his way into his mum's house. Eventually, he succeeds and buggers off in Bev's car, only to smash it a few metres down the road. Max scarpers quick smart, mum collapses and is briefly taken to hospital. Jade is at the end of her tether and the chance to clear out her recently passed away Grandma's house gives her and recovering Bev something to do. But this house on the outskirts of the city offers another opportunity.


This is pretty harrowing at times but it's underscored by a warmth, a familial closeness - to begin with between Jade and Bev, but later between all three of the main players. It helps that Scacchi is George's mum in real life (my actual comment to Roly after the film, "They've nailed the casting, George really looks like she could be Scacchi's daughter." Idiot, me). The whole cast is great, though the only other character with more than a few lines is Jade's mate, Tegan (Alexandra Nell), ostensibly making the film a three-hander.

From a Perth perspective, it's interesting to see familiar streets and buildings, but it doesn't have any truck with 'tourism' cinematography - it probably could have been any city in Australia. To Smith's credit, he avoids the provincial look of many Aussie first features, presumably on a tiny budget as well. One minor issue I had was the title. Sure, a certain vintage of folk will understand the reference, but probably not the majority of viewers, and aside from the obvious lyrical connection, it doesn't have much to do with a song from the 70s (or the earlier religious background of the phrase).

While not a particularly original premise, this is a confident, assured film, lifted immeasurably by the performances of George, Corlett and Scacchi. A tight piece of urban Aussie cinema.

He Ain't Heavy opens at the Luna cinema on Oct 16th.

See also:

Another Perth writer/director, Ben Young made his feature debut with the excellent Hounds of Love (2016). Scacchi was in Robert Altman's The Player (1992), with George's father, Vincent D'Onofrio.

Comments

Popular posts from this blog

One Battle After Another

Before this film, Paul Thomas Anderson had at least one certifiable classic on his CV in There Will Be Blood . Now, make that two. In saying this, most of his films range from good to brilliant. This is his second adaptation of a Thomas Pynchon novel (after the uneven but interesting Inherent Vice ) and it looks at the lives of modern American revolutionaries, notably members of French 75. The group are apparently named after a WWI weapon, and then a cocktail, both of which have something of a kick.  Leonardo DiCaprio plays Bob, The Rocket Man, who makes the ordnance for the group and is in a relationship with fellow revolutionary, Perfidia (Teyana Taylor). A combination of a run-in with Sean Penn's Colonel Steven Lockjaw, and a rash killing of a security guard triggers more interest in the group, and so a roundup begins. Perfidia is caught, then forced to name names before doing a runner. But not before she has a daughter with Bob, whom he is left to raise on the run. After this f...

The Ballad of Wallis Island

Tim Key adds value to every film or TV show he appears in but here he has found his perfect role. Of course, it helps if you write the thing yourself (with help from co-star, Tom Basden). Key plays Charles, a slightly buffoonish, slightly clever 'lord of the manor' type who has invited Basden's Herb to his lightly-populated island to play a gig. Herb was part of a reasonably successful folk duo in years past but is now solo, and experimenting with genres (As another character queries, "Is 'commercial' a genre?"). Charles has the means to pay handsomely for this intimate concert but Herb isn't aware just how intimate it promises to be. Nor is he aware that Charles has also invited the other half of McGwyer/Mortimer, Nell, to the island, in order to reunite after nearly 10 years. Nell is played by Carey Mulligan, another casting triumph. She's always great but is really natural and confident here, with a fine singing voice (also heard in Inside Llewy...

The Long Walk

I had a bit of time to spare while the car was getting a service so I decided to visit the Greater Union Morley cinemas one last time (it closed a few days after I saw this). I think this was the first cinema I went to when I came back from Japan in 2016 and sadly, it hadn't had a touch up since then, possibly not for a long time before either. Fingers crossed for a brand spanking new cinema complex one day.  Anyway, the film I saw was The Long Walk , and it's a bit of an oddity. It's based on a Stephen King (writing as Richard Bachman) book from 1979. King seems to have a thing for these dystopian 'last one standing' stories (see also The Running Man , an Arnie adaptation was made in 1987, and Edgar Wright has a new version up his sleeve, opening soon). Director Francis Lawrence returns to the theme of his Hunger Games films, riffing on Battle Royale , but also, many of these types of films where characters get picked off one by one, from Alien to Monty Python an...

Sicilian Letters

This Italian Film Festival offering is a post-mafia story from writer/director pair, Fabio Grassadonia and Antonio Piazza. Ex-school principal and local politician, Catello (Toni Servillo) is released from prison in the early 2000s, only to be co-opted by the Italian Secret Service to help apprehend the last Cosa Nostra boss still at large, Matteo Messina Denaro (Elio Germano). Catello is the perfect patsy. He was a good friend of Denaro's father, Don Gaetano, who made Catello the Godfather to young Matteo. I should mention this is based loosely on the life of Denaro, though it's at pains to acknowledge that much of this story is fabricated (a title card reads "Loosely inspired by real events, though the film's characters are the fruits of the authors' imagination.") In this chunk of Denaro's life on the run, Catello is tasked with writing letters to the fugitive, via a bespoke butcher-based post office. Initially, Denaro is moved by Catello's prose a...

Caught Stealing

Darren Aronofsky seems to have been more prolific but this is just his 9th feature since his debut, Pi , in 1998, which is, coincidentally, when this new film is set. And it's a film that wears its love for New York City on its sleeve. There are shots of the Twin Towers, streets full of rubbish, dingy apartments, and even a brief pass by of the iconic Kim's Video store (now immortalised in a documentary of the same name). Austin Butler stars as Hank, a former wunderkind baseball player whose careless driving ruined his pro sports future, but also crucially took the life of a friend, a passenger in the car. Some wag on Letterboxd said this film was a great advert for seatbelts, it's a recurring Public Service Announcement. Hank is getting by in NY, thinking of getting serious with his girlfriend, Yvonne (Zoë Kravitz), and generally wallowing in his lost opportunities.  Events turn when neighbour Russ (Matt Smith), an obnoxious punk geezer, pops back to Laaaahhnd'n for a ...

Splitsville

This is the second film I've seen in a row where two blokes wrote the film and also starred in it ( see previous review ). This time round the two blokes are Michael Angelo Covino (also directing) and Kyle Marvin. The coup was signing Dakota Johnson and Adria Arjona to play the wives, Julie and Ashley. On the face of it, it's hard to believe that these women would be with these two spuds, but the script allows for a suspension of disbelief. Marvin plays Carey, just over a year into marriage with Ashley (Arjona). On the way to a waterfront weekend with Paul and Julie (Covino and Johnson), Ashley explains that she wants a divorce. The trigger may have had something to do with them being part of a road accident death, a darkly amusing opening scene. Carey leaves the car in a panic and eventually finds his way to the beach house. Distraught, he decides to wallow with his friends until a discretion threatens to blow apart the relationship. To be clear, Julie and Paul's open rela...

The Naked Gun

This uncalled for remake of 1988's The Naked Gun: From the Files of Police Squad! is not a patch on the original, nor the TV show, Police Squad! that spawned them both. Director Akiva Schaffer has plenty of pedigree with stupid comedy, having directed oodles of Saturday Night Live episodes, as well as films like Hot Rod and The Watch . I haven't seen these films but I'm not about to now. The new Naked Gun has a fairly rapid rate of jokes - many successful - in the first 30 minutes or so, but once the film had to start servicing the plot, the laughs dried up. Throughout the film, the sight gags didn't work as well as the straight-faced wordplay, à la the 'awfully big mustache' classic from The Naked Gun 2½: The Smell of Fear . This might be due to the casting. Liam Neeson is fun and tries hard, but he doesn't get anywhere near Leslie Nielsen, though I thought Pamela Anderson was an improvement on Priscilla Presley (I guess being an actual actor helps). Ab...

The Goya Murders

The machinations of the serial killer have long been fertile ground for filmmakers but the quality of the final product can vary greatly. For every Zodiac or Se7en there’s one like this. The Goya Murders (or El Asesino de los Caprichos ) starts with a reasonably sound premise – a killer is poisoning his (usually well off) victims and recreating scenes from Goya prints as deathly exhibits. Imagine the murders scenes in Se7en but with less gore and more artistry. Investigating these are Madrid detectives, Carmen Cobos and Eva González, played by Maribal Verdú and Aura Garrido, and though the actors are fine, they have the writing to overcome. Their characters are broadly painted, there’s not a lot of light and shade here. Carmen immediately takes against her younger partner for no apparent reason. Eva is a fun-loving, karaoke singing, happy mother-of-two, while Carmen drinks from a hip flask and drives erratically. At one point a fellow officer tells Carmen that her ‘bad cop’ routine ...

Mid-year report - 2013

So here are the ten best films I've seen so far this year (up to June 30). This time round, I'm only picking films I've seen for the first time. In order, they are: 1. Wish You Were Here 2. The Imposter 3. We Need to Talk About Kevin 4. Argo 5. Even the Rain 6. Iron Man 3 7. The Kid with a Bike 8. Django Unchained 9. 500 Days of Summer 10. The Pirates! In an Adventure with Scientists And here's the offal. Worst first. 1. Intouchables 2. The Tree of Life 3. You Will Meet a Tall Dark Stranger 4. Life of Pi 5. Mamma Mia! 6. Morning Glory 7. Ted 8. Hara-Kiri: Death of a Samurai 9. Amazing Grace 10. Haywire

The Quiet Girl

This is a great film, especially in the way that it manages to create something interesting out of a reasonably mundane synopsis. A young girl is sent away to a relative's house for the summer where she is treated better than at home. Sounds like it could have a bit of Rohmer-style youthful awakenings? Or maybe some gritty Loach-ian societal comment? Even perhaps a revenge tinged 'fear the youth' theme? Well, it's none of the above, and more power to its style. The Quiet Girl herself (Cáit) is a newcomer, Catherine Clinch, and she was apparently found via an Irish language school call out. She's incredible - meek, direct, no airs nor graces whatsoever, with a clear-eyed awkwardness. She's almost like a little female Bowie in The Quiet Girl Who Fell to Earth (no, not a film but I thought I'd italicise anyway). There are orbiting performances that complement her perfectly. Carrie Crowley and Andrew Bennet play Eibhlín and Seán Cinnsealach, the couple who tak...