Skip to main content

80s Movies and their Songs


So I was driving back from down south and we decided to fiddle with the radio. A generic FM station appeared and my Gen X ears knew most of the tracks, some ok, some dire. But the thing that prompted me to start this post was that a couple of the songs were clearly linked to films from the 1980s. I began thinking that, as much as it doesn't really happen now (or even much after the end of that decade, with some notable exceptions), this 'movie/song tie-in' was a huge pop culture phenomenon back then.

As a massive time-wasting technique, I decided to do a bit of research and try to find the film and song pairing that was the most popular of the era. Box Office Mojo helped with the film's takings, but how to discern a song's popularity? I've had a look at the US Billboard charts and the UK top 40, so we'll see if this goes some way to covering it. 


Ultimately, the song that YOU heard on the radio all the time, or watched on MTV (often with the film's actors in the music video), or the record/cassette that you bought, these metrics are impossible to quantify. The films probably speak for themselves in that the top ten are pretty much household names for anyone who lived through the 80s. 

Let's have a look at the top ten films from the 80s that have at least one song synonymous with them. From 10 down to 1, they are (box office takings in US Dollars):

10: The Karate Kid Part II (1986) - $115,103,979 [Song: Glory of Love by Peter Cetera]

9: Rocky III (1982) - $125,052,898 [Song: Eye of the Tiger by Survivor]

8: An Officer and a Gentleman (1982) - $129,795,890 [Song: Up Where We Belong by Joe Cocker and Jennifer Warnes]

7: Cocktail (1988) - $171,504,781 [Song: Kokomo by The Beach Boys]

6: Dirty Dancing (1987) - $ 214,577,242 [Song: (I've Had) The Time of My Life by Bill Medley and Jennifer Warnes]

5: Ghostbusters (1984) - $296,640,120 [Song: Ghostbusters by Ray Parker Jr.]

4: Beverly Hills Cop II (1987) - $299,965,036 [Song: Shakedown by Bob Seger]

3: Beverly Hills Cop (1984) - $316,360,478 [Song: The Heat is On by Glenn Frey and Axel F by Harold Faltermeyer]

2: Top Gun (1986) - $357,288,178 [Songs: Danger Zone by Kenny Loggins and Take My Breath Away by Berlin]

1: Back to the Future (1985) - $385,053,307 [Song: The Power of Love by Huey Lewis and the News]

Interestingly, I've seen all of these films once, a couple two or three times, but I've heard the songs likely dozens, possibly hundreds of times. And love them, like them, tolerate them, or fecking hate them, it can't be denied that there's a throbbing vein of nostalgia cheese running through each one. 


Now, let's dig into the songs from these and other 80s films. In many cases, as we'll see, the songs hung around a lot longer than the memory of the films they were attached to did. With good reason, honestly, who's seen Streets of Fire? I'd never heard of it, but I knew the song when it came on that FM station in the car recently. The name of that song is I Can Dream About You by Dan Hartman - familiar tune, very unfamiliar film.

I wanted to first get some rules laid out here. No films from the 70s, 90s or any other decade, so this negates the strong cases of Robin Hood; Prince of Thieves and Bryan Adams's terminable ear slug, Everything I Do, I Do It For You; Titanic and Celine Dion's heart-rending, mind-numbing, ear-murdering hit, My Heart Will Go On; and The Bodyguard and Whitney Houston's gangrenous warble, I-yai-yai-yai Will Always Love Yoouoouuooo, though this would be disqualified anyway as Dolly Parton wrote and recorded it many years before.


Which brings me to the next rule - these songs must have been conceived for the film, not added later, as in Unchained Melody from the Righteous Brothers for Ghost (though this also slips out of contention by a year, as it's a 1990 film). More recent 'jukebox' films from Quentin Tarantino, Edgar Wright and James Gunn, to name a few, are all well and good, but they've painstakingly cherry picked some uber-suitable tracks to slot in at the perfect moments. And these songs have usually already made their bread, or not, in some cases. A solid hit like The Bangles covering (A) Hazy Shade of Winter for Less Than Zero, is also ineligible, as it was a Simon and Garfunkel original.

Finally, you'll notice there are no Bond songs as I see them as a distinct entity. Shame, because some of the 80s ones are amongst the best of the stable - Sheena Easton's For Your Eyes Only and Duran Duran's A View to a Kill (from the films of the same names) did some good numbers in the charts too. I'm also not including the fantastic 'soundtracks' Queen did for Flash Gordon and Highlander because they don't deserve to be a footnote.

Righto, onto the songs. First the top ten (actually 14) by weeks at number 1 on the US Billboard charts:

=8 (all 2 weeks): Let's Hear it for the Boy by Deniece Williams [Film: Footloose]

=8: Maniac by Michael Sembello [Film: Flashdance]

=8: The Power of Love by Huey Lewis and the News [Film: Back to the Future]

=8: St. Elmo's Fire (Man in Motion) by John Parr [Film: St. Elmo's Fire]

=8: 9 to 5 by Dolly Parton [Film: 9 to 5]

=8: Glory of Love by Peter Cetera [Film: The Karate Kid Part II]

=8: Nothing's Gonna Stop Us Now by Starship [Film: Mannequin]

=2: (all 3 weeks): Footloose by Kenny Loggins [Film: Footloose]

=2: I Just Called to Say I Love You by Stevie Wonder [Film: The Woman in Red]

=2: Against All Odds (Take a Look at Me Now) by Phil Collins [Film: Against All Odds]

=2: Up Where We Belong by Joe Cocker and Jennifer Warnes [Film: An Officer and a Gentleman]

=2: Ghostbusters by Ray Parker Jr. [Film: Ghostbusters]

=1 (both 6 weeks!): Flashdance...What a Feeling by Irene Cara [Film: Flashdance]

=1: Eye of the Tiger by Survivor [Film: Rocky III]

So, two appearances by Footloose and Flashdance in the US charts, but let's look at the UK Singles charts now. Here are the top ten (actually 14 again) for weeks in the Top 40:

=10 (all 10 weeks): Glory of Love by Peter Cetera [Film: The Karate Kid Part II]

=10: Up Where We Belong by Joe Cocker and Jennifer Warnes [Film: An Officer and a Gentleman]

=10: Never Ending Story by Limahl [Film: The NeverEnding Story]

=10: Together in Electric Dreams by Giorgio Moroder and Phil Oakey [Film: Electric Dreams]

=10: We Don't Need Another Hero (Thunderdome) by Tina Turner [Film: Mad Max Beyond Thunderdome]

=5 (all 12 weeks): Eye of the Tiger by Survivor [Film: Rocky III]

=5: Into the Groove by Madonna [Film: Desperately Seeking Susan]

=5: Against All Odds (Take a Look at Me Now) by Phil Collins [Film: Against All Odds]

=5: When the Going Gets Tough, The Tough Get Going by Billy Ocean [Film: The Jewel of the Nile]

=5: Flashdance...What a Feeling by Irene Cara [Film: Flashdance]

4 (13 weeks): Crazy For You by Madonna [Film: Vision Quest]

3 (16 weeks): Nothing's Gonna Stop Us Now by Starship [Film: Mannequin]

2 (21 weeks): I Just Called to Say I Love You by Stevie Wonder [Film: The Woman in Red]

1 (27 weeks!): Ghostbusters by Ray Parker Jr. [Film: Ghostbusters]

Some points to note here. We can safely say that Madonna's fame elevated the films her songs were in (hello Vision Quest) and that Ghostbusters spent a staggering half a year in the top 40 in the UK, when the film would have been in and out of cinemas in a few months.

An extra wrinkle is that only five of these songs made it to number 1 in the UK - Billy Ocean, Survivor, Starship and Madonna (for Groove) had 4 weeks at the top, but old Stevie Wonder sat there for 6 weeks (a super popular song from a not so popular film).

One more word for a film/song combo that came right at the end of the 80s - Public Enemy's Fight the Power for Do the Right Thing. The film did ok numbers at the box office but the song spent 6 weeks at number 1 on the Billboard Hot Rap charts AND 5 weeks in the UK top 40.


In conclusion dear reader, I'm going to say that the most popular film and song pairing of the 80s was...Ghostbusters. 5th at the worldwide box office (not including films without popular songs, of course), 3 weeks at number 1 in the US and 27 weeks in the UK top 40 (though only making it to 2nd spot). This thing went berserk. Honourable mentions must go to Jennifer Warnes and Kenny Loggins for each having two film song hits in the decade, and Survivor's Eye of the Tiger for becoming an anthem and helping Rocky III do some good business. It's also interesting that many of the more well-received songs came from sequels (Rocky III, The Karate Kid II, The Jewel of the Nile, Mad Max III, etc.).

Well, this has been fun. Give me a hoy if I've missed anything.

Listen to also:

Here's a link to a Spotify 80s movies playlist I made for this article. Enjoy, if you can.

Comments

  1. Surely Don't you forget about me / The Breakfast Club should be on the list... and honourable mention to If you leave / Pretty in Pink....

    ReplyDelete
    Replies
    1. Fair call, they're probably amongst the best songs from 80s films. They didn't make the article due to the low box office returns of those films.

      Delete

Post a Comment

Popular posts from this blog

It Was Just an Accident

The latest from Iranian director Jafar Panahi is a simple, yet brilliant story of a chance encounter with a bastard from the past that oscillates between revenge and forgiveness. We start on an almost uncomfortably close mid-shot of a man and a woman driving at night. They run over a stray dog and the mother explains to her daughter that it was just an accident, setting the stage for other events that may or may not have been accidental. Panahi fills the frame with his protagonists, faces, mostly in states of distress, to the extent that when the screen opens up to show a man digging a makeshift grave in a long shot with vast, lumpy hills in the distance, it's a massive relief of tension. This man is Vahid (Vahid Mobasseri), who thinks he has stumbled upon Eghbal, (A.K.A. Peg Leg or the Gimp) (Ebrahim Azizi), an Iranian intelligence agent who tortured him years ago. Doubt forces Vahid to enlist other victims to help identify Peg Leg, before any retribution is taken. The film is rid...

Best of 2025 - End of Year Report

Hi folks. 2025, eh? Bit of a prick, all things considered, but I reckon it was a pretty good year for films. My list was down from last year, I actually went 6 weeks without seeing a single film! Still time to see some great ones though, and here they are, from 10 down to 1. [Click on the titles for links to full reviews] 10. Hard Truths (2024) Mike Leigh is still punching them out, and this scathing drama reunites him with Marianne Jean-Baptiste (from Secrets and Lies ). She stars as a miserable, lonely wife and mother, constantly verballing those around her. Her sister is the only one who can put up with her. A tough watch but utterly engaging and though-provoking. 9. Of Caravan and the Dogs (2024) This was one of a few gems from the Revelation Film Festival in July. It's a documentary about Vladimir Putin's attacks on press freedom in Russia and how media groups tried to handle the situation. It's depressing but also filled with hope that there are still folks fighting...

The Secret Agent

Brazilian writer/director Kleber Mendonça Filho delivers one of the films of the year with this political thriller that hoovered up awards at Cannes. It stars Wagner Moura as Armando, an ex-academic who lands in Recife during Carnival time in 1977. Once there, he's welcomed into a kind of apartment block commune, filled with other 'refugees' from some tyranny or other. The opening of the film teases the situation, slowly unpicking the threads as we cruise through the northern Brazilian setting. It's extremely confident of keeping details held back, no need to rush the exposition. We're introduced to quite a few characters, on both sides of humanity - helpful matriarchs, corrupt cops, selfless in-laws, scuzzy hitmen, crusading journos, and one Jewish German Holocaust survivor. Yep, there's a lot going on here. Around the end of the first act, we flash-forward to the present to find a couple of researchers going through old cassette tapes of interviews between Arm...

David Fincher Top Ten

With Fincher's first feature in 6 years, Mank , due soon, I figured I'd do a top ten of his other films. Conveniently, he's only made ten features, on top of dozens of music 'videos', as well as some TV and a few shorts. But let's focus on the films. 10. The Curious Case of Benjamin Button (2008) Where to start? Well, let me say that  Benjy is the only Fincher film I hated. Full of heart-felt whimsy attempting depth, it misses just about every mark. This is trite bollocks with very little to raise it, save from the unimpeachable Cate Blanchett. Take her out of it and you're left with a certified steamer. 9. The Game (1997) Not a bad film, and made with some late 90s panache, but it just didn't elevate for me. Not much wrong with the cast, Douglas and Penn are usually watchable at worst. There are the requisite reversals and rug-pulls but maybe that's part of the problem - too much of this malarkey? 8. Alien³ (1992) I don...

Final Cut

Around 15 minutes into this French remake of a Japanese zombie comedy I found myself wondering if this might be the worst film of the year, and even a bit guilty for suggesting Merv see it with me. Imagine my surprise, dear Viz readers, to be happily proven wrong. This is a great lark. The original, One Cut of the Dead , from 2017, seems to be a virtual template, aside from a few clever story angles that connect the two. In a gory nutshell, it concerns a film crew attempting to make a low-budget zombie film in an abandoned events hall, when a bunch of real zombies begin to queer the pitch. Directed (and adapted) by Michel Hazanavicius, of The Artist fame, this opened the Cannes Film Festival in May 2022. It stars one of my favourite actors, Roman Duris as Remi, the director, and Bérénice Bejo as Nadia, who has a fantastic reason for giving up acting. Their daughter, Romy, is played by the actual director's daughter, Simone Hazanavicius (also step-daughter of Bejo, it's all get...

Wake Up Dead Man

Wake Up Dead Man (without a comma to be seen) is the third Benoit Blanc mystery, written and directed by Rian Johnson. Daniel Craig stars again as the Foghorn Leghorn-twanging detective but he's a touch overshadowed here by the 'supporting' cast, namely Josh O'Connor as young priest, Jud (Judas anyone?) Duplenticy, Josh Brolin as Monsignor Wicks and Glenn Close as church dogsbody Martha. Though it seems O'Connor is the new big thing, especially in indie films, I find him about as engaging as the weekly supermarket trip. In saying that, he's a pretty good foil for the rest of the characters, who have charisma by the bucketload. Blanc only appears around the start of act two, after all the set-up has been dealt with, in a very similar fashion to the previous films, Knives Out and Glass Onion . We gather that somebody has been killed on Good Friday, and the format for this exposition is a letter that Blanc asks Jud to write to him. This works well enough, (Keigo ...

Upon Open Sky

Upon Open Sky sees a trio of teenagers head north from Mexico City on a mission to find the trucker who caused the accident that killed the father of the two lads. Promising enough premise, unfortunately, this is a slight film, aiming for profundity. It opens with the build up to the accident, somewhere in the dusty Mexican bush, then the crash itself acts as a timeslip point to two years later. Fernando (Máximo Hollander) scours a car scrapyard, looking for something. His younger brother, Salvador (Theo Goldin), who was in the car when their father died, understandably mopes around the house, only rising to perv on their new step-sister, Paula (Federica Garcia) as she changes for bed.  When mum and new step-dad announce they're off to Spain for a holiday, Fernando makes plans of his own to find (and maybe kill) the trucker. So off they go to a town on the US border in search of him. Now, this film could have been much better, and I'm kind of at pains to work out why I didn...

Predator: Badlands

So without me really noticing, this franchise has reached NINE films (if you include the two Alien vs Predator crossovers). The last three have been directed (or co-directed) by Dan Trachtenberg, who's also helmed an episode each of the TV shows  Black Mirror and The Boys . I've got to say, carry on lad, because this is probably the best Predator film I've seen (let me revisit the Arnie one before I remove that 'probably'). This film starts as a revenge quest that soon morphs into a discourse on dysfunctional families and finding your groove in life. All wrapped up in a gnarly, bloody sci-fi romp. I say blood, in actual fact, none of it is human blood, all characters being either alien or synthetic humanoid. That in itself is one of the film's credits -  none of the protagonists are human, and the nominal lead is usually a villain. Dek (Dimitrius Schuster-Koloamatangi) is from the Yautja race, the original 'ugly mother-fucker' Predator. The preamble n...

Best of 2024 - End of Year Report

Ho ho, yo yos. Here's my rundown of films in 2024. By my best count I saw 124 films last year, 115 of them new watches (though not necessarily made or released in 2024), and 61 of them at the cinema. Of those cinema trips, 28 were at Luna Leederville , 14 at Palace Raine Square and 10 at the Backlot Perth , with 6 other cinemas making up the numbers. So here are my 10 favourite films from 2024, with a top 5 pod down the bottom... [Click on the titles for links to full reviews] 10. Furiosa: A Mad Max Saga (2024) George Miller's follow-up to Fury Road tells us the story of how Furiosa got to where that film started. I reckon this was the best blockbuster of the year, certainly the most entertaining, with one epic action sequence and a couple of fine performances from Anya Taylor-Joy and Chris Hemsworth. Great fun. 9. The Taste of Things (2023) Don't go in hungry! This is a foodie's shan-grill-ah, the high culinary masterwork of the last decade or more. Juliette Binoch...

One Battle After Another

Before this film, Paul Thomas Anderson had at least one certifiable classic on his CV in There Will Be Blood . Now, make that two. In saying this, most of his films range from good to brilliant. This is his second adaptation of a Thomas Pynchon novel (after the uneven but interesting Inherent Vice ) and it looks at the lives of modern American revolutionaries, notably members of French 75. The group are apparently named after a WWI weapon, and then a cocktail, both of which have something of a kick.  Leonardo DiCaprio plays Bob, The Rocket Man, who makes the ordnance for the group and is in a relationship with fellow revolutionary, Perfidia (Teyana Taylor). A combination of a run-in with Sean Penn's Colonel Steven Lockjaw, and a rash killing of a security guard triggers more interest in the group, and so a roundup begins. Perfidia is caught, then forced to name names before doing a runner. But not before she has a daughter with Bob, whom he is left to raise on the run. After this f...