Skip to main content

Furiosa: A Mad Max Saga


George Miller's follow-up to Mad Max: Fury Road takes us back to the formation of Furiosa, played first by Alyla Browne, then later by Anya Taylor-Joy. Young Furiosa is kidnapped by a gang of motorcycle marauders who are looking the land of abundance, an oasis in the dry wasteland of post-apocalyptic Australia. Noticing that she's in good health, it occurs to them that she might know of this place, so they take her back to their leader, a nutter called Dementus (Chris Hemsworth, fake nose and all). Furisosa's mother (Charlee Fraser) has other ideas and sets out after her. Anyone who has seen Fury Road knows that Furiosa ends up separated from her family and home, so the intrigue is really in how this happened. 

The film is segmented into five chapters, not exactly a five act structure, more like a lengthy preamble, where Furiosa sets herself up as a Steampunk Yojimbo, playing one side against the other for her own ends, followed by a rampaging sequence of battles. The central point is an absolute showstopper - the creation, then inaugural run-out of the war rig, a multi-wheeled truck kitted out with weaponry and armour to fend off potential gang attacks. The extended sequence where the rig is ambushed is pure cinema, equal to, maybe even better than anything in Fury Road (rewatch required). 


I'll go back a touch - the battles eventually happen because Dementus decides to take on Immortan Joe (Lachy Hulme) for control of the Wasteland, which includes the three pillars - Gas Town, the Bullet Farm and Immortan's water reservoir, The Citadel. Dementus manages to commandeer one of these, and is satisfied until desperation forces him to attempt a grab for total power. Hemsworth is out of the picture while Furiosa changes from Browne to Taylor-Joy, but when he reappears, he brings the class, chewing everything in sight but devoid of irony. There's no meta shit from him here, he's doing entirely his own thing and its the best I've seen him. Taylor-Joy is the exact opposite - she's basically mute for most of the film - and her coiled ice rage opposed to Hemsworth's nasty buffoonery is one of the highlights of the film.

There are plenty of winks. Many actors return from previous Max films: John Howard as the People Eater; Richard Norton as the Prime Imperator; Angus Sampson as the Organic Mechanic; Nathan Jones as Rictus Erectus; Josh Helman as Scrotus (but Slit in Fury Road?); even Tim Burns as Hungry Eyes (he was Johnny the Boy in the original Mad Max in 1979). You Am I lead singer, Tim Rogers pops up for a bit, too. Near the end, you might spot the back of Max Rockatansky himself, looking down on the action from atop a cliff. And at one point in Gas Town, when things are getting rough, Dementus paraphrases a classic Mel Gibson line from Mad Max 2. 
 

It's not all perfect, though. I wasn't too sold on the character of Praetorian Jack, played by Tom Burke (with an admittedly pretty solid Aussie accent). He's clearly a necessity for Furiosa to learn the trade but his motivations didn't really ring true - pure altruism? In the Wasteland? Even 'heroic' Max is more nihilistic. I was also wondering if they cast Burke because he looks like Stacy Keach from Road Games. Maybe I'm being unfair to expect him to hold his own against Hemsworth and Taylor-Joy.

Another issue I found was that the ending was a mite fumbled - not the most satisfying after a solid two hours of adrenaline. It could also have done with a few minutes trimmed off it (I feel like I'm saying this a lot lately). But when the ups are so high, the downs feel worse than usual. Furiosa ultimately dovetails snugly into Fury Road and there's so much to enjoy about it that it feels churlish to nitpick. The sound design on the Xtreme Screen was incredible, Simon Duggan's cinematography looked great and the stunts were top drawer. This is rollicking good fun from Miller once more. 

Furiosa: A Mad Max Saga opens in Australia on May 23rd. 

See also:

Of course, Fury Road (2015) but it would be nice to revisit the 70s and 80s versions too - Mad Max (1979), Mad Max 2: The Road Warrior (1981) and Mad Max Beyond Thunderdome (1985), all directed by Miller.


(Film stills and trailer ©Warner Bros, 2024)

Comments

Popular posts from this blog

Digger

Including this new film, Alejandro González Iñárritu has directed only eight features, and his resume has its ups ( Amores Perros , The Revenant ) and downs ( Birdman ). But I make Digger his best. He shares a writing credit with a number of other folk (sounds like too many cooks but they get away with it), and it's shot by the ever brilliant Emmanuel Lubezki. Kudos firstly must go to the trailer editor to sell it the way they did - it's a really eyebrow-raising subterfuge. I was expecting Dr. Strangelove , with climate as the nuclear bombs, instead we get a blend of films like Synecdoche New York , Beau is Afraid , and Birdman , and it's superior and more accessible than all of those. Colour me gobsmacked. From the start, Digger was heading one way and, had it continued that way, this would be a very different review. Luckily, it pulled a terrific gear change. In a nutshell, the Cruiser plays Digger Rockwell, a mega rich oil man who ignores all warnings of an impending d...

Queen: Budapest

Pure class. A Hungarian director, János Zsombolyai, and his crew filmed Queen's concert at Népstadion in Budapest in 1986 with a fair number of 35mm cameras. It's recently been finessed for IMAX and the result is a bloody ripping concert film. There's a short preview promo featuring sit-down interviews with Brian May and Roger Taylor and then the concert begins. The band played this unprecedented gig at the end of July, just a couple of weeks after their Wembley sets, and as part of the Magic Tour. It was one of the first stadium concerts played behind the Iron Curtain by a 'Western' band, and apparently around 80,000 punters turned up, with more than half that number listening from outside the stadium. The band run through a typical set list of favourites, starting with One Vision , Tie Your Mother Down , and (my favourite from the gig) Seven Seas of Rhye . Other belting highlights include Under Pressure , Now I'm Here , Hammer to Fall , and Radio Ga Ga . Watch...

Resident Evil

This latest Resident Evil is a slight zombie viscera flick that doesn't really say much but is a bit of fun anyway. Director Zach Cregger impressed with Weapons , and folk have good things to say about his film before that, Barbarian , too (I'm yet to watch). His latest is a reboot, retool, reimagining, however you'd like to put it, of the film series spawned from the game in 2002, that eventually mutated to six entries, all gamely starring Milla Jovovich. Now before this new iteration, I'd only seen that first one, but quite possibly one or two more (like the creatures in the film, I'm guessing they all meld together). My gaming credentials are even more paltry - I seem to remember playing a version once years ago, but it could have been any zombie shooting game. So drawing a long bow, I'm going to say this one aims more for the shits and giggles than the others, borrowing from Cregger's previous life as a comedy actor/writer/director. Austin Abrams plays ...

Bad Apples

The British Film Festival is upon us again and it looks purely belter this year. The preview film at Palace Raine Square was a teacher's nightmare called Bad Apples . Note the plural, not one bad apple but many. The film opens with a bunch of primary school kids on a tour of a cider house, presumably in order to highlight the analogy, as we see loads of apples on their way along conveyer belts. One lark, Danny (Eddie Waller) has lost his shoe in the machinery, causing frazzled teacher Maria (Saoirse Ronan) to lose her shit. Less anger than anguish, to be fair, as it unfolds that this wrong'un has been boiling her piss all year. Back at school the next day, Danny sends a girl to hospital, and gets suspended. Maria needs to make sure he doesn't come to school, primarily to avoid the government Ofsted inspector, so she goes to visit his dad. He's clearly strung out as well, so isn't much help. On her way back to her car, she confronts Danny and this is starting to rea...

Dune

Denis Villeneuve's long-awaited  Dune  finally arrives in Australian cinemas and it's a technical marvel.  To start with, there's the amazing production design by Patrice Vermette. A lot of the sets and machinery have been physically created, to add weight to the visual effects. A highlight is the appearance of the 'ornithopter', a clunky, dragonfly of metal, that flaps its wings to fly. The scale of the buildings and cities is mammoth, many of them made on a studio lot in Budapest (see this  Architectural Digest article  for more). The cinematography, by Melburnian, Greig Fraser, is suitably magic, in keeping with Villeneuve's stylistic requirements, For example, desert scenes have a tendency to go all wind-whipped and blurry, but even when a dragonfly enters a storm, acuity is admirably maintained.  The visuals are just a part of Villeneuve's signature language - the almost ethereal long shots across vast rooms and landscapes; the measured, even slow paci...

Coyote vs. Acme

While there have been loads of Looney Tunes feature films, this is the fourth to mix live action with the animated favourites. There are two  Space Jam films, but if you can remember 2003's Looney Tunes: Back in Action , you're doing better than me. This new hybrid, directed by Dave Green, stars Will Forte and John Cena as opposing lawyers in a case brought against Acme by Wile E. Coyote.  Oddly, this film is actually based on an article for the New Yorker magazine, written by Ian Frazier, about the downtrodden desert dog and his annoyance with Acme Corporation and their faulty products. I realise that some younger crew will have no idea of the content of the Looney Tunes Road Runner cartoons, so to sum it up: "Road Runner, the Coyote's after you. Road Runner, if he catches you, you're through." Yep, it's a classic, constant chase, and as this film posits, maybe the chase is the point. Logically, and in nature, the coyote would probably eat the bird, if i...

Classmates

This solid, if not super original, slice of high school life in gritty Euro-environs looks to be a change of tack for director Umberto Riccioni Carteni. Much of his back catalogue appears to be on the frothy end of the spectrum, and oddly, Classmates is listed as a 'Drama, Comedy' in the festival programme. It's not all that heavy but it's a stretch to call it a comedy. It starts with English teacher, credited as Professoressa (Anna Ferzetti) arriving at her new school in a rough-ish area of north-east Rome called Rebibbia. The final year students of this class are generally downheartened nihilists, all carrying problems related to poverty, drugs or family. A more difficult start might have been expected for the Prof but most of her students respond well to her, due to a policy of treating them like humans, not the garbage they (and other teachers) believe they are.  A familiar trope of students shouting at each other, insulting and threatening, soon shows itself to be...

Life is Life

Here's another serving from the Italian Film Festival , this one set mostly in the fictional town of Bellesammama in Southern Sardinia, the beautiful Spiaggia di Tuerredda standing in for the beach paradise. The recognisable story goes that a rich company wants to buy up the land on the beach to build a resort, promising to create jobs and bring untold wealth to the struggling area. Everyone is confident things will be done and dusted in no time until the real estate company runs up against an immovable object, old farmer Efisio (Giuseppe Loi). Offered ever increasing sums of Lira, then as time goes on, Euros, he rejects all. This is his home, he doesn't need anything else.  The townsfolk cajole Efisio and chivvy his daughter Francesca (Virginia Raffaele), hoping they'll see reason. The head of the Milanese real estate firm, Giacomo (Diego Abatantuono), sends a foreman, Mariano (Aldo Baglio) to sort things out, and even enlists the local mayor and police. No dice. Althoug...

The Odyssey

Christopher Nolan is one of the few active directors who can entice punters to the cinema (along with Denis Villeneuve), and they've come out in droves for his latest, a retelling of Homer's The Odyssey . Matt Damon stars as Odysseus, the king of Ithaca who is co-opted to join his overlord, Agamemnon, in his attack on Troy. After near 10 years of siege, culminating in the Trojan Horse event, the silly bastard then decides to take the scenic route home, and gets plumb lost.  What follows is a technically brilliant rendering of mythical nonsense made to feel real. Odysseus's mini-fleet of three ships and maybe 100 (?) men run into several hardships, notably the Cyclops; a small army of huge men called the Laestrygonians; the sorceress, Circe; and some salacious sea nymphs. These set pieces are fantastic, especially the Cyclops (played by TARS voice from Interstellar , Bill Irwin), and Circe's cottage, where she has a way with greedy menfolk. Samantha Morton is almost best...

The Devils

A new 'Director's Cut' of this 1971 cult classic has arrived in cinemas, with a couple of lost scenes reinserted (if you'll pardon the expression). Plaudits must go to esteemed pommy film critic Mark Kermode for finding them and helping get them back in there. Crikey though, it's not hard to see why they would have been removed back in the early 70s, considering that one scene is known as the Rape of Christ. Of course, it's mild by today's standards but society's pillars were made of meeker stuff back then, especially with regard to religion (see The Life of Brian bans, etc.). Based on the novel by Aldous Huxley, The Devils of Loudun , via a stage play, Russell adapts the story of Urbain Grandier (Oliver Reed) and his conflict with high-ranking officials of church and state. Baron de Laubardemont (Dudley Sutton) wants to raze the towers of Loudun for fear of another Protestant uprising, and so manipulates the word of sister Jeanne does Anges (Vanessa Re...