Skip to main content

The Sparks Brothers


Here we have Edgar Wright's first stab at documentary film making, and it's something of a departure from his style. The chuckles are there but he seems to have gone for a reasonably risk-free structure - lots of talking heads, ups and downs of the subject, a chronology of their career and some pretty good music (a given for a music doco, I'd guess). 

The subjects are Ron and Russell Mael of the band Sparks, admittedly unknown to me (aside from one song that was on the Kick-Ass soundtrack - This Town Ain't Big Enough for Both of Us). One of the taglines is 'Your favourite band's favourite band' and the folk that front up to wax lyrical about Sparks are fairly glittery. You have Beck, some of Duran, Duran, Flea from Chili Peppers, Bernard Butler from Suede, Alex Kapranos from Franz Ferdinand, some of New Order, Roddy Bottum from Faith No More, Mike Myers, Weird Al Yankovic, Jason Schwartzman, Neil Gaiman, Giorgio Moroder, Adam Buxton, Mark Gatiss, bloody hell, this is near endless. I'll stop there.

The Sparks Brothers benefits from having the Mael brothers as its focus - these are two driven, uncompromising fellas, and watching their career unfold from Glam 70s, to Electro 80s, to all sorts of pop throughout, to their 'comeback' of recent years is pretty intriguing stuff. They take the act of not taking themselves too seriously, very seriously indeed. When badgered into writing a song that people could dance to, they released 'Music That You Can Dance To' as a supreme piss-take. A quick scan of some of their tracks read like a Smiths or Ween playlist. You have top titles like 'I Can't Believe You Would Fall for All the Crap in This Song', '(She Got Me) Pregnant', 'Let the Monkey Drive', 'What Are All These Bands So Angry About?', 'Angst in My Pants', 'I Thought I Told You to Wait in the Car', 'Everybody's Stupid' and 'Tits'.

This is a fine doco about a band that not enough people know about but more should. These guys made pretty esoteric music (and still are), and the theme, if any, is that they singularly didn't give a fuck what anyone else thought about them. Bravo, gents. 

The Sparks Brothers opens at the Luna and Palace Cinemas on July 8th.

See also:

This might be the first time I've recommended a film that hasn't been released yet but the Mael brothers have written a film for Leos Carax called Annette (2021) - Marion Cotillard, Adam Driver starring. Another mint, recent music doco is Crock of Gold: A Few Rounds with Shane MacGowan (2020), directed by Julien Temple.

Comments

  1. Unknown4 July 2021 at 17:13

    I remember living the band as a child, I look forward to watching the documentary!

    ReplyDelete
  2. Shady4 July 2021 at 19:47

    Hi 'Unknown'. It's certainly worth a look. Thanks for commenting 🙂

    ReplyDelete

Post a Comment

Popular posts from this blog

Resident Evil

This latest Resident Evil is a slight zombie viscera flick that doesn't really say much but is a bit of fun anyway. Director Zach Cregger impressed with Weapons , and folk have good things to say about his film before that, Barbarian , too (I'm yet to watch). His latest is a reboot, retool, reimagining, however you'd like to put it, of the film series spawned from the game in 2002, that eventually mutated to six entries, all gamely starring Milla Jovovich. Now before this new iteration, I'd only seen that first one, but quite possibly one or two more (like the creatures in the film, I'm guessing they all meld together). My gaming credentials are even more paltry - I seem to remember playing a version once years ago, but it could have been any zombie shooting game. So drawing a long bow, I'm going to say this one aims more for the shits and giggles than the others, borrowing from Cregger's previous life as a comedy actor/writer/director. Austin Abrams plays ...
Post a Comment
Read more

Classmates

This solid, if not super original, slice of high school life in gritty Euro-environs looks to be a change of tack for director Umberto Riccioni Carteni. Much of his back catalogue appears to be on the frothy end of the spectrum, and oddly, Classmates is listed as a 'Drama, Comedy' in the festival programme. It's not all that heavy but it's a stretch to call it a comedy. It starts with English teacher, credited as Professoressa (Anna Ferzetti) arriving at her new school in a rough-ish area of north-east Rome called Rebibbia. The final year students of this class are generally downheartened nihilists, all carrying problems related to poverty, drugs or family. A more difficult start might have been expected for the Prof but most of her students respond well to her, due to a policy of treating them like humans, not the garbage they (and other teachers) believe they are.  A familiar trope of students shouting at each other, insulting and threatening, soon shows itself to be...
Post a Comment
Read more

Life is Life

Here's another serving from the Italian Film Festival , this one set mostly in the fictional town of Bellesammama in Southern Sardinia, the beautiful Spiaggia di Tuerredda standing in for the beach paradise. The recognisable story goes that a rich company wants to buy up the land on the beach to build a resort, promising to create jobs and bring untold wealth to the struggling area. Everyone is confident things will be done and dusted in no time until the real estate company runs up against an immovable object, old farmer Efisio (Giuseppe Loi). Offered ever increasing sums of Lira, then as time goes on, Euros, he rejects all. This is his home, he doesn't need anything else.  The townsfolk cajole Efisio and chivvy his daughter Francesca (Virginia Raffaele), hoping they'll see reason. The head of the Milanese real estate firm, Giacomo (Diego Abatantuono), sends a foreman, Mariano (Aldo Baglio) to sort things out, and even enlists the local mayor and police. No dice. Althoug...
Post a Comment
Read more

Digger

Including this new film, Alejandro González Iñárritu has directed only eight features, and his resume has its ups ( Amores Perros , The Revenant ) and downs ( Birdman ). But I make Digger his best. He shares a writing credit with a number of other folk (sounds like too many cooks but they get away with it), and it's shot by the ever brilliant Emmanuel Lubezki. Kudos firstly must go to the trailer editor to sell it the way they did - it's a really eyebrow-raising subterfuge. I was expecting Dr. Strangelove , with climate as the nuclear bombs, instead we get a blend of films like Synecdoche New York , Beau is Afraid , and Birdman , and it's superior and more accessible than all of those. Colour me gobsmacked. From the start, Digger was heading one way and, had it continued that way, this would be a very different review. Luckily, it pulled a terrific gear change. In a nutshell, the Cruiser plays Digger Rockwell, a mega rich oil man who ignores all warnings of an impending d...
Post a Comment
Read more

Queen: Budapest

Pure class. A Hungarian director, János Zsombolyai, and his crew filmed Queen's concert at Népstadion in Budapest in 1986 with a fair number of 35mm cameras. It's recently been finessed for IMAX and the result is a bloody ripping concert film. There's a short preview promo featuring sit-down interviews with Brian May and Roger Taylor and then the concert begins. The band played this unprecedented gig at the end of July, just a couple of weeks after their Wembley sets, and as part of the Magic Tour. It was one of the first stadium concerts played behind the Iron Curtain by a 'Western' band, and apparently around 80,000 punters turned up, with more than half that number listening from outside the stadium. The band run through a typical set list of favourites, starting with One Vision , Tie Your Mother Down , and (my favourite from the gig) Seven Seas of Rhye . Other belting highlights include Under Pressure , Now I'm Here , Hammer to Fall , and Radio Ga Ga . Watch...
Post a Comment
Read more

Dune

Denis Villeneuve's long-awaited  Dune  finally arrives in Australian cinemas and it's a technical marvel.  To start with, there's the amazing production design by Patrice Vermette. A lot of the sets and machinery have been physically created, to add weight to the visual effects. A highlight is the appearance of the 'ornithopter', a clunky, dragonfly of metal, that flaps its wings to fly. The scale of the buildings and cities is mammoth, many of them made on a studio lot in Budapest (see this  Architectural Digest article  for more). The cinematography, by Melburnian, Greig Fraser, is suitably magic, in keeping with Villeneuve's stylistic requirements, For example, desert scenes have a tendency to go all wind-whipped and blurry, but even when a dragonfly enters a storm, acuity is admirably maintained.  The visuals are just a part of Villeneuve's signature language - the almost ethereal long shots across vast rooms and landscapes; the measured, even slow paci...
4 comments
Read more

The Odyssey

Christopher Nolan is one of the few active directors who can entice punters to the cinema (along with Denis Villeneuve), and they've come out in droves for his latest, a retelling of Homer's The Odyssey . Matt Damon stars as Odysseus, the king of Ithaca who is co-opted to join his overlord, Agamemnon, in his attack on Troy. After near 10 years of siege, culminating in the Trojan Horse event, the silly bastard then decides to take the scenic route home, and gets plumb lost.  What follows is a technically brilliant rendering of mythical nonsense made to feel real. Odysseus's mini-fleet of three ships and maybe 100 (?) men run into several hardships, notably the Cyclops; a small army of huge men called the Laestrygonians; the sorceress, Circe; and some salacious sea nymphs. These set pieces are fantastic, especially the Cyclops (played by TARS voice from Interstellar , Bill Irwin), and Circe's cottage, where she has a way with greedy menfolk. Samantha Morton is almost best...
1 comment
Read more

Coyote vs. Acme

While there have been loads of Looney Tunes feature films, this is the fourth to mix live action with the animated favourites. There are two  Space Jam films, but if you can remember 2003's Looney Tunes: Back in Action , you're doing better than me. This new hybrid, directed by Dave Green, stars Will Forte and John Cena as opposing lawyers in a case brought against Acme by Wile E. Coyote.  Oddly, this film is actually based on an article for the New Yorker magazine, written by Ian Frazier, about the downtrodden desert dog and his annoyance with Acme Corporation and their faulty products. I realise that some younger crew will have no idea of the content of the Looney Tunes Road Runner cartoons, so to sum it up: "Road Runner, the Coyote's after you. Road Runner, if he catches you, you're through." Yep, it's a classic, constant chase, and as this film posits, maybe the chase is the point. Logically, and in nature, the coyote would probably eat the bird, if i...
Post a Comment
Read more

Migration (Me) (Kids)

A whole family trip to the cinema for this animated duck movie, written by Mike White (of The White Lotus fame) and directed and co-written by Benjamin Renner. It's a fairly simple storyline - mum and ducklings fancy a trip to Jamaica, risk-averse dad is reluctant. Of course, for the sake of the plot, dad comes around. The journey is physical as well as offering a chance to experience personal (duckal?) growth - the spirit of adventure is enhanced, and the kids, mainly the older lad, transition from childhood to adulthood. There are numerous POV flying scenes - through clouds, between buildings in New York, in a nightmarish kitchen, down water slides, through a jungle - seriously, it's enough to make an adult dizzy. Admittedly though, it feels kind of reductive to even talk about all this as a grown up human. The colours, sounds, Looney Tunes style sight gags, are all mechanically tooled for little grommets to lap up, let's face it, this type of film isn't for the lik...
2 comments
Read more

Spider-Man: Brand New Day

Well, well, well. This thing has done some business. It's currently SIXTH in all time worldwide receipts, with Titanic in its sights. But, of course, it's problematic to rely on public opinion as a judge of quality. Or maybe that's just me. Because I found this new Spider-Man film to be just slightly above average. They are quite a few positives to take from it. Tom Holland has a winning presence, the omnipotent Zendaya is his equal (they have some nice moments together), and the cameos are fun - Mark Ruffalo's Hulk, Florence Pugh's Yelena Belova, and John Bernthal's Punisher big screen debut. Aside from the performances, the city of New York is almost another character, and it's portrayed lovingly here. The jumpy, swingy scenes feel more realistic than previous films, and there's a dark edge to the story as well, to do with change and maturity. The first grown-up Spider-Man? On that note, I read his situation as a late arrival at puberty. Bear with me...
Post a Comment
Read more