Film Shapes

Dodging newspaper and podcast reviews as well as YouTube trailers is fairly easy but it's more difficult to avoid spoilers when a preview is shown ONE MINUTE BEFORE THE FILM STARTS. Twats. Anyway, onto the film itself. Skyfall is Daniel Craig's third Bond effort but not his best - Casino Royale still holds that mantle. It's hard to talk about this movie without bringing the previous two in as comparisons, but I'll try. I enjoyed Skyfall but rather less than I had imagined I would. I think one of the reasons was the storyline, which seemed a bit old hat. Without giving too much away, the villain (a brilliantly camp Javier Bardem) seems based on Sean Bean's character in Goldeneye. Bondies will get the reference. The M-centric part of the plot worked in a kind of oedipal, 'mummies boys' sort of way, with both Bond and Bardem's Silva hovering around Judi Dench, albeit with different motives. But the MacGuffin that begins the film buggers off halfway...

I've been thinking recently about some of the films that are hovering around the gate to my favourite films paddock. The top ten that sits to the right of this post shall remain sacrosanct (though some films have crept in or out over my lifetime) but I sometimes happen upon a great film that has the temerity to challenge them. Here are some of those crackers in no particular order: Tell No One ( Ne le dis à personne) This 2006 French thriller has so many attributes, it's hard to know where to start. From the word go we're gripped, due in no small part to the lead, Francois Cluzet. He's a bit like a middle-period Dustin Hoffman (think Tootsie or Rain Man ), in looks and intensity. Cluzet is the perfect piece of casting in a film with countless great performers - Kristin Scott Thomas, Jean Rochefort and Gilles Lellouche all shine in parts of varying length or importance. After an initial, important back-story, the pace doesn't let up with the different thread...