Film Shapes

What an oddly brilliant film this is. The Northern Irish hip-hop trio, Kneecap, have a pretty unusual career. According to my brief research, they currently have two studio albums and one feature film to their credit. Not knowing about these lads, I was surprised to find out that they aren't actors - you wouldn't know by their performances, particularly Liam Ó Hannaidh (stage name, Mo Chara). He's a standout. The film gives us a presumably fudged version of the band's origins - Mo and best mate, Móglaí Bap (Naoise Ó Cairealláin) have known each other since they were choir boys but it didn't take long for them to embrace the Belfast rave and drug culture, as well as the strong anti-British, anti-RUC feeling among sections of the Catholic community in the north of Ireland. Northern Ireland! North of Ireland! Northern Ireland!  One night, Mo is arrested at a rave and refuses to speak English to the 'peelers' (police), so an interpreter is called in, high school...

We saw this at HAT 109 on Sunday the 19th. I make this the 5th in the series (I hesitate to call it a 'franchise' - that sounds kind of ugly and capitalistic to me - I'll reserve that moniker for films I don't like), if you include Wolverine as part of that series. In my opinion, this prequel sits about 2nd best, after the first one ( X-Men ) and just above the second one ( X-2 ). I reckon they got the right director, Matthew Vaughn ( Kick-Ass, Layer Cake ) and Bryan Singer was on board as a producer too. The cast was patchy, from great (McAvoy, Fassbender) to serviceable (Byrne, Platt) to poor (Bacon, Jones - who is this dull Barbie?). The pace of the film was an asset, it really rattled along in parts, especially the initial meeting sequence of Xavier and Lehnsherr. I really like the 3 way antagonism these films explore - humans v good mutants v bad mutants - and X-Men: First Class shows the origins of this. I think it's one of the reasons that sets it apa...