Eternals <img src="https://img.icons8.com/ios-glyphs/20/000000/star--v1.png"/><img src="https://img.icons8.com/ios-glyphs/20/000000/star--v1.png"/><img src="https://img.icons8.com/windows/21/000000/star-half.png"/>

Eternals

This latest Marvel edition is on a slightly different tack, in that this crew predate the MCU by a few thousand years (leaving aside all the wunderbar time travel malarkey). A Celestial called Arishem sends the Eternals to Earth around 5000 BC to protect humanity from a breed of monsters called Deviants. The Eternals are slightly in thrall to a semblance of the Star Trek 'Prime Directive', meaning they can't interfere in disputes (or even genocides) but can, and must, stop the Deviants killing people. After wiping out these buggers around 1500 years ago, our space Highlanders are kicking their heels, waiting to be told what to do, when some shit starts to go down again.

The urge to do things differently in this phase of Marvel output is clear, perhaps due to the director Chloe Zhao, fresh off an Oscar for Nomadland. She brings a sense of balance to proceedings, and even manages to be slightly more serious, albeit with some comedic touches. She has A LOT of characters to deal with and giving them all something to do is tricky. The main immortals are Sersi, played by Gemma Chan, and Ikaris, played by Richard Madden, and they bear the weight of the narrative, while Angelina Jolie's Thena, Salma Hayek's Ajak, Kumail Nanjiani's Kingo, and Lia McHugh's Sprite add much of the filling. The tough unit from Train to Busan, Ma Dong-seok, and Dunkirk's Barry Keoghan, are both standouts for me, though I kind of wish Keoghan hadn't thinned out his Irish accent. He's too easy to understand.

Thematically, there are strong links to another Marvel story thread - one that pitted one side of friends against the other - you follow, I'm sure. In this film though, the stakes are slightly higher, and the agents potentially more nihilistic. On that, I'm just about done with the old story beat of 'humanity is capable of such great things, to laugh, to love, to dream, etc.' When will a film like this just accept that we're planetary fuck-ups and leave the Celestials to their obliterating whims? Only a thought.

Robb Stark comes across very Ozymandias from Watchmen, by way of Cyclops from the X-Men. Meanwhile, Jon Snow hides his light under a drippy bushel until the very end, hinting at a IP to get his Longclaw into. The powers of this crew are oddly mismatched. Lauren Ridloff's Makkari is super fast, Thena is great with her magic blades, and Gilgamesh (Dong-seok) has a massive smashy fist, but Druig (Keoghan) can only do mind control and Bryan Tyree Henry is good at making stuff. Not the best in a scrap, though they make do in concert with one another, and I guess that's the point.

About halfway through, we see one of these lovely brawls, this one in the Amazon jungle, between Deviants and Eternals, where the later marginalised monsters show some odd behaviour. They now seem to be draining the powers from our heroes. Anyway, this thread is pretty much abandoned when the bigger fish need frying. That Celestial fish, once filleted, is only the start of the trouble for the Eternals, but these issues will likely get ironed out sometime during the coming phase. The MCU will outlive us all.

See also:

There are echoes of Ridley Scott's Prometheus (2012) in the whole 'ancient off-worlders designing our fate/future' thing, and it looks like Highlander is getting a reboot soon, so let's revisit the 1986 original, directed by Aussie Russell Mulcahy. With my sword and head held high, got to pass the test first time...

Comments

Case 137

Here's a police procedural drama from the Alliance Francais French Film Festival with a minor key change. Case 137 is based on true events from 2018 during the Gilets jaunes (Yellow Vest) protests in Paris. The case (or dossier in the version originale) involves a young lad who was shot in the head with an LBD riot gun (basically rubber bullets) and then left on the street. He survived, but with life changing injuries. The IGPN internal affairs department are brought in to investigate. Léa Drucker takes the lead as Stéphanie, a single mum dealing with resentment from her ex-husband, his new girlfriend, and most other members of the force, who believe the cops should look after their own and not 'police the police'. Her teenage son is also concerned that everyone he talks to hates 'les flics'. There's a slight hitch in the case when it's discovered that the injured guy and his family come from Saint-Dizier, also Stéphanie's home town. Director, Dominik M...

The Magic Faraway Tree (Me) (Kids)

I probably read these books as a kid (can't remember) but I certainly read them to my kids a few years ago, so the whole family took a trip to the Palace cinema to check out this new film version. It's adapted from the Enid Blyton book(s) by Simon Farnaby, the writer of Paddington 2 , Wonka and Mindhorn , and directed by Ben Gregor, a British TV journeyman. The cast is chock-full of screen dignitaries, from Andrew Garfield and Claire Foy, to Python Michael Palin, to Dame Judi Dench as a talking fridge (!). Modernising this classic kids' book series from the 30s and 40s means adding some stuff about screen (over)usage, the splintering of the family unit, and the desire to get back to the basics of life. In this case, the Thompsons go rural in a rundown barn with old tractors, and chickens living on the stove. The family is made up of Tim and Polly (Garfield and Foy), and the three children, Beth, Joe and Fran, played by Delilah Bennet-Cardy, Phoenix Laroche and Billie Gadsd...

Amrum

The preview film for the 2026 German Film Festival is a sombre little drama about a child's perspective of the end of WWII. Jasper Billerbeck plays Nanning, a 12 year-old doing his best to look after his pregnant mother and younger siblings in the tiny farming/fishing island of Amrum in Northern Germany. The opening scene shows German planes flying overhead, indicating that even this lonely outpost of the Reich is not untouched by war. The story really acts as window dressing for the suppression of emotions and trepidation related to the very probable approaching end of hostilities. We find out early on, in a clever moment in the family library, that Nanning's (absent) dad is a high ranking Nazi, and his mum, Hille, is fully on board with the doctrine. Auntie Ena lives with them and is much more pragmatic, and as anti-Nazi as she can be in the circumstances. The two sisters are played by Laura Tonke and Lisa Hagmeister respectively, and they're fantastic. Diane Kruger, who...

The Quiet Girl

This is a great film, especially in the way that it manages to create something interesting out of a reasonably mundane synopsis. A young girl is sent away to a relative's house for the summer where she is treated better than at home. Sounds like it could have a bit of Rohmer-style youthful awakenings? Or maybe some gritty Loach-ian societal comment? Even perhaps a revenge tinged 'fear the youth' theme? Well, it's none of the above, and more power to its style. The Quiet Girl herself (Cáit) is a newcomer, Catherine Clinch, and she was apparently found via an Irish language school call out. She's incredible - meek, direct, no airs nor graces whatsoever, with a clear-eyed awkwardness. She's almost like a little female Bowie in The Quiet Girl Who Fell to Earth (no, not a film but I thought I'd italicise anyway). There are orbiting performances that complement her perfectly. Carrie Crowley and Andrew Bennet play Eibhlín and Seán Cinnsealach, the couple who tak...

The Monkey

What's this then? Modern horror, I guess. Or just another addition to the relatively recent spate of animal-titled films: The Lobster , The Crow , The Whale , Pig , Lamb , First Cow , Black Dog , Red Dog , Dog Man , Monkey Man , Wolf Man , Cuckoo , Cocaine Bear , and Hundreds of Beavers . Whatever the reason for its existence, this Stephen King adaptation is a curious beast. Osgood Perkins (son of old Norman Bates himself, Anthony Perkins) writes and directs here. He also has a pretty funny cameo. The story starts with a bloke in a pilot's uniform (Adam Scott) trying to sell a windup drumming monkey toy (DON'T CALL IT A TOY!!). A bloody event occurs, not for the last time in the movie. Cut to 1999 where we meet Hal Shelburn and his twin, Bill (both played by Christian Convery), who live with their mother, Lois (an in-form Tatiana Maslany). The pilot of the opening scene is the dad/hubby who has done a runner, leaving the cursed monkey for the lads to find (though, to b...

The Talented Mr. F.

Screening at the German Film Festival, this is a mind-boggling tale of a 'you-tuber' dickhead who nicked a short animation film off a couple of German university students and passed it off as his own work. The thief, or the 'talented' Mr. F. of the title, is Samuel Felinton, a ubiquitous pud with a probable case of Narcissistic Personality Disorder (NPD). This diagnosis has been mentioned on Reddit but his baggage is weighty so fucks knows what's wrong with him. We open with Moritz and Julius, who made a cute little robot anime, uploaded it to YouTube to see if anyone liked it, and when it gained loads of hits and positive comments, took it down. Emboldened by this public favour, they then started to enter their short, Butty, into various film festivals. When the replies came back that it couldn't be accepted because the film was already doing the festival circuit, the lads freaked out. Turns out Butty 's brief online life was enough time for Felinton to d...

Arco (Me) (Kid)

This is the first feature length film from French writer/director Ugo Bienvenu. It tells the story of futuristic kid, Arco, voiced by Juliano Crue Valdi in the English dub, and Oscar Tresanini in the French original - here I'll explain that I saw the preview of this with the English voice cast, so I'll mention them from now, unless I spy a notable Frenchy. Anyway, Arco is too young to fly to the past like his family do, but like any young ding-a-ling, he decides to chance his arm, and ends up in 2075. This is a more recognisable future for us than Arco's time, as we see climate change writ large on society. In this time-zone, Arco meets Iris (Margot Ringard Oldra) and her domestic robot, Mikki (voiced by a strange combination of Iris's parents, Natalie Portman and Mark Ruffalo). Iris wants to help Arco return to his time, but they're thwarted by a missing jewel that he needs in order to travel, as well as a trio of bumbling goons (Will Ferrell, Andy Samberg and Flea...

The Rivals of Amziah King

This final film at the Lotterywest Film Season for the Perth Festival is a surprising gem. It combines a great musical opening scene with a fine entrance from Matthew McConaughey. Writer/director Andrew Patterson knows who he's got on his hands here. McConaughey has fun with this role of Amziah King, his first real starring part since The Gentleman in 2019, and in fairness, the film probably wouldn't have been made without him. The story goes thus: a honey maker (or beekeeper, apiarist, professor of bees, call him what you will) is coopted into helping the police identify a stolen batch of honey barrels. After a frankly incredible (in the good sense of the word) honey heating procedure that goes off the rails, Amziah finds himself at cafe, where he bumps into Kateri, a young woman who used to foster with him when she was a kid. A star is unearthed here in Angelina LookingGlass (what a name!), in her debut film role, and the rest of the cast is fittingly grubby and grungy. Kur...

Hesitation Wound

This film was shown at the Revelation Film Festival programme launch for 2024. It's a Turkish legal drama that leaves a lot unsaid, unexplained, with plenty of scope for interpretation. Tülin Özen plays Canan, a lawyer tasked with defending a guy on a murder charge, Musa (Ogulcan Arman Uslu). At the same time, she is dealing with the slow demise of her old mother, hospitalised in a coma. The minutiae of life in this small Turkish town is fascinating. There's one simple, prosaic scene where Canan stops by a chemist to buy a razor so Musa can shave for the hearing. The shopkeeper asks what kind, she tells him she doesn't know, he selects for her, then explains that she can't use her debit card for that amount, so she buys some pretzel sticks. Completely normal, yet for some reason, I've remembered this scene weeks later. Maybe it's the unusualness of seeing a Turkish store on screen, but I think the on-point pacing of the film has a lot to do with it. Another odd...

Guardians of the Galaxy

As the picture above suggests, Guardians of the Galaxy is a bit reminiscent of such films as Seven Samurai (and its remake, The Magnificent Seven ) and The Dirty Dozen . An unlikely bunch of misfits come together to fight something or somebody. Hatred and tension within the group leads to respect and friendship. Victory is achieved, albeit at some loss. This is not to undersell Guardians, though. It's a fun film with many things to like about it. It reminded me of Firefly and Serenity , especially the costumes and the design of the spaceships and planet vistas - the giant floating skull of 'Knowhere' is a stand-out. It's also a nice coincidence that Nathan Fillion (Mal in Firefly ) has a pretty funny cameo. Most of the humour in Guardians works. Not too esoteric (though I missed the joke about 'baby gravy') or American focussed, even the 1980s cultural references fit the lead character's situation. The lines are played straight and Chris Pratt h...

Film Shapes

Search This Blog