Eternals <img src="https://img.icons8.com/ios-glyphs/20/000000/star--v1.png"/><img src="https://img.icons8.com/ios-glyphs/20/000000/star--v1.png"/><img src="https://img.icons8.com/windows/21/000000/star-half.png"/>

Eternals

This latest Marvel edition is on a slightly different tack, in that this crew predate the MCU by a few thousand years (leaving aside all the wunderbar time travel malarkey). A Celestial called Arishem sends the Eternals to Earth around 5000 BC to protect humanity from a breed of monsters called Deviants. The Eternals are slightly in thrall to a semblance of the Star Trek 'Prime Directive', meaning they can't interfere in disputes (or even genocides) but can, and must, stop the Deviants killing people. After wiping out these buggers around 1500 years ago, our space Highlanders are kicking their heels, waiting to be told what to do, when some shit starts to go down again.

The urge to do things differently in this phase of Marvel output is clear, perhaps due to the director Chloe Zhao, fresh off an Oscar for Nomadland. She brings a sense of balance to proceedings, and even manages to be slightly more serious, albeit with some comedic touches. She has A LOT of characters to deal with and giving them all something to do is tricky. The main immortals are Sersi, played by Gemma Chan, and Ikaris, played by Richard Madden, and they bear the weight of the narrative, while Angelina Jolie's Thena, Salma Hayek's Ajak, Kumail Nanjiani's Kingo, and Lia McHugh's Sprite add much of the filling. The tough unit from Train to Busan, Ma Dong-seok, and Dunkirk's Barry Keoghan, are both standouts for me, though I kind of wish Keoghan hadn't thinned out his Irish accent. He's too easy to understand.

Thematically, there are strong links to another Marvel story thread - one that pitted one side of friends against the other - you follow, I'm sure. In this film though, the stakes are slightly higher, and the agents potentially more nihilistic. On that, I'm just about done with the old story beat of 'humanity is capable of such great things, to laugh, to love, to dream, etc.' When will a film like this just accept that we're planetary fuck-ups and leave the Celestials to their obliterating whims? Only a thought.

Robb Stark comes across very Ozymandias from Watchmen, by way of Cyclops from the X-Men. Meanwhile, Jon Snow hides his light under a drippy bushel until the very end, hinting at a IP to get his Longclaw into. The powers of this crew are oddly mismatched. Lauren Ridloff's Makkari is super fast, Thena is great with her magic blades, and Gilgamesh (Dong-seok) has a massive smashy fist, but Druig (Keoghan) can only do mind control and Bryan Tyree Henry is good at making stuff. Not the best in a scrap, though they make do in concert with one another, and I guess that's the point.

About halfway through, we see one of these lovely brawls, this one in the Amazon jungle, between Deviants and Eternals, where the later marginalised monsters show some odd behaviour. They now seem to be draining the powers from our heroes. Anyway, this thread is pretty much abandoned when the bigger fish need frying. That Celestial fish, once filleted, is only the start of the trouble for the Eternals, but these issues will likely get ironed out sometime during the coming phase. The MCU will outlive us all.

See also:

There are echoes of Ridley Scott's Prometheus (2012) in the whole 'ancient off-worlders designing our fate/future' thing, and it looks like Highlander is getting a reboot soon, so let's revisit the 1986 original, directed by Aussie Russell Mulcahy. With my sword and head held high, got to pass the test first time...

Comments

Coyote vs. Acme

While there have been loads of Looney Tunes feature films, this is the fourth to mix live action with the animated favourites. There are two Space Jam films, but if you can remember 2003's Looney Tunes: Back in Action , you're doing better than me. This new hybrid, directed by Dave Green, stars Will Forte and John Cena as opposing lawyers in a case brought against Acme by Wile E. Coyote. Oddly, this film is actually based on an article for the New Yorker magazine, written by Ian Frazier, about the downtrodden desert dog and his annoyance with Acme Corporation and their faulty products. I realise that some younger crew will have no idea of the content of the Looney Tunes Road Runner cartoons, so to sum it up: "Road Runner, the Coyote's after you. Road Runner, if he catches you, you're through." Yep, it's a classic, constant chase, and as this film posits, maybe the chase is the point. Logically, and in nature, the coyote would probably eat the bird, if i...

Life is Life

Here's another serving from the Italian Film Festival , this one set mostly in the fictional town of Bellesammama in Southern Sardinia, the beautiful Spiaggia di Tuerredda standing in for the beach paradise. The recognisable story goes that a rich company wants to buy up the land on the beach to build a resort, promising to create jobs and bring untold wealth to the struggling area. Everyone is confident things will be done and dusted in no time until the real estate company runs up against an immovable object, old farmer Efisio (Giuseppe Loi). Offered ever increasing sums of Lira, then as time goes on, Euros, he rejects all. This is his home, he doesn't need anything else. The townsfolk cajole Efisio and chivvy his daughter Francesca (Virginia Raffaele), hoping they'll see reason. The head of the Milanese real estate firm, Giacomo (Diego Abatantuono), sends a foreman, Mariano (Aldo Baglio) to sort things out, and even enlists the local mayor and police. No dice. Althoug...

Spider-Man: Brand New Day

Well, well, well. This thing has done some business. It's currently SIXTH in all time worldwide receipts, with Titanic in its sights. But, of course, it's problematic to rely on public opinion as a judge of quality. Or maybe that's just me. Because I found this new Spider-Man film to be just slightly above average. They are quite a few positives to take from it. Tom Holland has a winning presence, the omnipotent Zendaya is his equal (they have some nice moments together), and the cameos are fun - Mark Ruffalo's Hulk, Florence Pugh's Yelena Belova, and John Bernthal's Punisher big screen debut. Aside from the performances, the city of New York is almost another character, and it's portrayed lovingly here. The jumpy, swingy scenes feel more realistic than previous films, and there's a dark edge to the story as well, to do with change and maturity. The first grown-up Spider-Man? On that note, I read his situation as a late arrival at puberty. Bear with me...

The Odyssey

Christopher Nolan is one of the few active directors who can entice punters to the cinema (along with Denis Villeneuve), and they've come out in droves for his latest, a retelling of Homer's The Odyssey . Matt Damon stars as Odysseus, the king of Ithaca who is co-opted to join his overlord, Agamemnon, in his attack on Troy. After near 10 years of siege, culminating in the Trojan Horse event, the silly bastard then decides to take the scenic route home, and gets plumb lost. What follows is a technically brilliant rendering of mythical nonsense made to feel real. Odysseus's mini-fleet of three ships and maybe 100 (?) men run into several hardships, notably the Cyclops; a small army of huge men called the Laestrygonians; the sorceress, Circe; and some salacious sea nymphs. These set pieces are fantastic, especially the Cyclops (played by TARS voice from Interstellar , Bill Irwin), and Circe's cottage, where she has a way with greedy menfolk. Samantha Morton is almost best...

Classmates

This solid, if not super original, slice of high school life in gritty Euro-environs looks to be a change of tack for director Umberto Riccioni Carteni. Much of his back catalogue appears to be on the frothy end of the spectrum, and oddly, Classmates is listed as a 'Drama, Comedy' in the festival programme. It's not all that heavy but it's a stretch to call it a comedy. It starts with English teacher, credited as Professoressa (Anna Ferzetti) arriving at her new school in a rough-ish area of north-east Rome called Rebibbia. The final year students of this class are generally downheartened nihilists, all carrying problems related to poverty, drugs or family. A more difficult start might have been expected for the Prof but most of her students respond well to her, due to a policy of treating them like humans, not the garbage they (and other teachers) believe they are. A familiar trope of students shouting at each other, insulting and threatening, soon shows itself to be...

Dune

Denis Villeneuve's long-awaited Dune finally arrives in Australian cinemas and it's a technical marvel. To start with, there's the amazing production design by Patrice Vermette. A lot of the sets and machinery have been physically created, to add weight to the visual effects. A highlight is the appearance of the 'ornithopter', a clunky, dragonfly of metal, that flaps its wings to fly. The scale of the buildings and cities is mammoth, many of them made on a studio lot in Budapest (see this Architectural Digest article for more). The cinematography, by Melburnian, Greig Fraser, is suitably magic, in keeping with Villeneuve's stylistic requirements, For example, desert scenes have a tendency to go all wind-whipped and blurry, but even when a dragonfly enters a storm, acuity is admirably maintained. The visuals are just a part of Villeneuve's signature language - the almost ethereal long shots across vast rooms and landscapes; the measured, even slow paci...

Resident Evil

This latest Resident Evil is a slight zombie viscera flick that doesn't really say much but is a bit of fun anyway. Director Zach Cregger impressed with Weapons , and folk have good things to say about his film before that, Barbarian , too (I'm yet to watch). His latest is a reboot, retool, reimagining, however you'd like to put it, of the film series spawned from the game in 2002, that eventually mutated to six entries, all gamely starring Milla Jovovich. Now before this new iteration, I'd only seen that first one, but quite possibly one or two more (like the creatures in the film, I'm guessing they all meld together). My gaming credentials are even more paltry - I seem to remember playing a version once years ago, but it could have been any zombie shooting game. So drawing a long bow, I'm going to say this one aims more for the shits and giggles than the others, borrowing from Cregger's previous life as a comedy actor/writer/director. Austin Abrams plays ...

Prometheus

It has taken me a few days to start this entry as I needed to ponder a number of issues. Without thinking too much about it, I really enjoyed Prometheus . It looked great (2D), the cast was pretty solid, Fassbender excellent, but I'll return to him later and the story was satisfying in its connection to, and, at the same time, its distancing from Alien . Let me explain that last messy clause. I think you can watch this without any knowledge of the Alien series but as most of us over 20 know about the other films, its quite good fun to recognise the hints and echoes throughout. The only slight issues I have are regarding the details in the story. Here's where it may get a little/very SPOILERY, so please look away if you haven't seen the film. Firstly, the religious angle irritated me a bit but I guess if you're investigating the origin of humanity, you might at least pay lip service to "the great magic". And of course, Christianity is at the heart of the ...

Migration (Me) (Kids)

A whole family trip to the cinema for this animated duck movie, written by Mike White (of The White Lotus fame) and directed and co-written by Benjamin Renner. It's a fairly simple storyline - mum and ducklings fancy a trip to Jamaica, risk-averse dad is reluctant. Of course, for the sake of the plot, dad comes around. The journey is physical as well as offering a chance to experience personal (duckal?) growth - the spirit of adventure is enhanced, and the kids, mainly the older lad, transition from childhood to adulthood. There are numerous POV flying scenes - through clouds, between buildings in New York, in a nightmarish kitchen, down water slides, through a jungle - seriously, it's enough to make an adult dizzy. Admittedly though, it feels kind of reductive to even talk about all this as a grown up human. The colours, sounds, Looney Tunes style sight gags, are all mechanically tooled for little grommets to lap up, let's face it, this type of film isn't for the lik...

The Quiet Girl

This is a great film, especially in the way that it manages to create something interesting out of a reasonably mundane synopsis. A young girl is sent away to a relative's house for the summer where she is treated better than at home. Sounds like it could have a bit of Rohmer-style youthful awakenings? Or maybe some gritty Loach-ian societal comment? Even perhaps a revenge tinged 'fear the youth' theme? Well, it's none of the above, and more power to its style. The Quiet Girl herself (Cáit) is a newcomer, Catherine Clinch, and she was apparently found via an Irish language school call out. She's incredible - meek, direct, no airs nor graces whatsoever, with a clear-eyed awkwardness. She's almost like a little female Bowie in The Quiet Girl Who Fell to Earth (no, not a film but I thought I'd italicise anyway). There are orbiting performances that complement her perfectly. Carrie Crowley and Andrew Bennet play Eibhlín and Seán Cinnsealach, the couple who tak...

Film Shapes

Search This Blog