Film Shapes

A bit late but here are the 10 best films I've seen up to June 30 2012. Again, most of these are repeat viewings, in fact only one is a new(ish) film. So here they are from the top: 1. Blade Runner 2. Casablanca 3. Tinker, Tailor, Soldier, Spy 4. There Will Be Blood 5. Delicatessen 6. The Apartment 7. The White Ribbon 8. Some Like It Hot 9. Dr. Strangelove 10. Welcome to Sarajevo All great, unlike the following. Here are the worst 10 up to the middle of the year. (Admittedly, some of these are not terrible, just the ten films I liked the least. A special mention though, for the top of this list - it's possibly in my ten worst films of all time.) 1. Mighty Joe Young 2. Wedding Crashers 3. Young Sherlock Holmes 4. The Spanish Apartment 5. Me and Orson Welles 6. The Iron Giant 7. The Merchant of Venice 8. Mission Impossible 4: Ghost Protocol 9. A Little Romance 10. The Wings of the Dove

UPDATE : June 1st Michael Haneke has won the Palme d'Or for Amour. This is his second Palme in 4 years after The White Ribbon in 2009. Both times Jacques Audiard has missed out, though this year Rust and Bone was completely overlooked whereas in 2009, Un Prophete at least took the Grand Prix, ostensibly the runners-up prize. Here are the winners in the main categories. I'm pretty chuffed for Mads Mikkelsen (he won best actor for The Hunt ). I first noticed him in a pretty good Danish police show called Unit One . He's since appeared in some average Hollywood films but he made a class villain in Casino Royale , scratching Daniel Craig's nuts. I reckon he's one of the most intense actors rocking the screens these days. It looks like a pretty good year for official entries at Cannes. The stand-out for me is the new Jacques Audiard film Rust and Bone with Marion Cotillard. One of my favourite directors AND possibly my favourite actress working rig...

Released in September last year in the UK and it takes SIX MONTHS to get to Japan, yet Battleship  arrives seemingly everywhere at once! Just one of the many injustices Tinker Tailor Soldier Spy must endure. Another would be the notion that films like The Artist and Hugo are better than it (according to assorted Awards ceremonies recently past). Piffle and tommy-rot! After reading the book years ago and watching the BBC series with Alec Guiness as Smiley, and enjoying both, I approached this new film with a mixture of trepidation and excitement. And I think it needs to be stated that the book, the TV show and the film are like kids with the same father but different mothers. They all come from the same seed but have quite noticeable differences. Le Carre himself apparently told Tomas Alfredson to do what he liked with the film, saying something along the lines of, "If you fuck up the film, the book will still be good". Well, Alfredson certainly di...

The last couple of months have thrown up (and I use the term deliberately) some nasty prospects at the cinema. I'm talking specifically of the slew of (once) great actors appearing in roles ordinarily thought well beneath them. Case One : How the fuck did Robert De Niro go from this.....  ....to this? The film (?) is New Year's Eve -  full of pretty, vapid, talent-shy, model-cum-actors AND Robert De Niro!!?? That said, De Niro has some form with poor choices ( We're No Angels , The Adventures of Rocky and Bullwinkle , Little Fockers and Righteous Kill for example). And so does the next perpetrator. Case Two : From this.....             ........to Journey 2: The Mysterious Island ? The near legendary Michael Caine seems to enjoy this flirting with dirge, as though he wants us to forget his roles in such classics as Get Carter (above), The Italian Job , The Man Who Would B...

Like I did at the half-way point of the year, I've chosen the best ten films I have seen since July. Again, some are old but a couple are new releases. Here they are in a top-down fashion: 1. Yojimbo 2. Taxi Driver 3. Secrets and Lies 4. Don't Look Now 5. Inception 6. A Separation 7. Point Blank (A Bout Portant) 8. Seven Samurai 9. Rise of the Planet of the Apes 10. Pan's Labyrinth And for balance, the bilge and dross..... 1. In the Name of the King: A Dungeon Siege Tale 2. Sucker Punch 3. Sliding Doors 4. Blitz 5. A.I. 6. Escape from New York 7. Shall We Dance? 8. Finding Forrester 9. Perfect Blue 10. Limitless

A reasonably packed house for this screening at Mint Kobe OS Cinemas. I had been pretty excited about seeing this for a few months and I wasn't disappointed. I'd watch it again tomorrow and I can't say that about too many other films. The human actors are all fine (perhaps with the exception of James Franco - he's OK, just miscast, I reckon) but the strength of the film lies with the apes. It actually seems like a breakthrough in motion capture performing, it's certainly the most realistic I've seen to date. Andy Serkis as Caeser gives a more nuanced, heartfelt performance than anything Tom Cruise, for example, has ever tried. There's a scene where assorted apes walk past Caeser and he looks into their eyes to check 'something' (I don't want to step into spoiler territory) and it's just a brilliantly realised moment. In fact, this film is full of really exciting, satisfying set pieces. Without giving too much away, I'm thinking o...

First review in a while. It's been a few months since I've been to the cinema, but I happened to notice this little nugget tucked away in the 10am showing of Toho's '50 great films' season. The theatre was more packed than I thought it would be but I reckon this is due to Steve McQueen's staying power. He's in great form and Faye Dunaway is a sparky, saucy foil for him. The famous  sexy chess scene is a stand-out. This film came out around the peak of McQueen's popularity, following The Cincinatti Kid, Nevada Smith and The Sand Pebbles and just before Bullitt . It didn't seem to do so well at the box office but it shows McQueen at his coolest (even Dunaway says he's "like ice" at one stage). The film itself is not brilliant. It's a little floppy in the middle and some of the characters seem superfluous. It really is held up by the two leads, and while they're great, there's a bit too much dilly-dallying. One ...

I was going to try to talk about this final Potter film as a stand-alone flick but I think that's nigh on impossible, as it's not only a 'second act' but also number 8 in a series (avoid use of word franchise here - ugly fucking word reserved for shite like Transformers, Pirates, etc). From the top, I quite liked it but not as much as I thought I would. Maybe I had built it up too much (or allowed the hysteria to do that for me). It was pretty action-packed and the performances of the three leads were solid and much improved from the earlier outings. I just couldn't help but think it would have been better if the two Deathly Hallows films had been shortened and made into one 3 and a half hour barnstorming epic. Too loyal to the books maybe, too interested in milking more cash from punters' pockets? Readers of the books may disagree but I thought the ending on the bridge was a fine point to roll the credits. Did we really need to see the neatly wrapped up,...