Skip to main content

Alien / Aliens



For the benefits of brevity, I've consolidated these two Alien films into one block, as I saw both of them back to back at the Luna Monday Double screening recently. I remember Alien more clearly, probably because I've seen it more often and more recently than its sequel. In fact, there were a few scenes in Aliens that I'm pretty sure I'd never seen before, this screening being the Director's Cut version.

So, if I'm comparing these two iconic films, I'm still of a mind to say that I much prefer the first one. It's a compact, grungy, flipping scary horror film. Some scenes - the creature stuff, in the main - don't really hold up to today's modern gaze, but back in 1979, I imagine folks were gobsmacked. The famous John Hurt scene is still shocking and the alien's life cycle was a cracking idea for some fun with the visuals, mostly due to H.R. Giger's design work.

Sigourney Weaver, as Ripley, holds the whole contraption together, Yaphet Kotto is great as Parker and Ian Holm brilliant as Ash - "I can't lie to you about your chances, but....you have my sympathies". The cinematography of the ship and planet LV-426 are sometimes too muddy, too murky to see as much as we'd like and the sound mix did seem a bit off at times, with the voices mumbly and the computer and ship sounds quite loud. These quibbles aside, Alien is still a fantastic sci-fi/horror, but on to the follow up.....

Aliens, made 7 years later, with James Cameron taking over directing duties from Ridley Scott, picks up at the final scene of Alien, though a fair amount of time has passed. 57 years, in fact. And one of the good things this sequel does is give the returning Weaver a great big swag of motivation running through the film. This version has a key scene the original theatrical one didn't - namely Ripley finding out that her daughter has grown up and died, aged 66, in her absence. The loss and helplessness of this situation makes Ripley's relationship with Newt (Carrie Henn) more fleshed out and understandable. It also adds relevance to the Mother-scrap at the climax, though I have to admit feeling a bit odd at Ripley's decision to incinerate the alien mummy's eggs. This seemed a bit nasty to me, but maybe it's a maternal thing;).

Visually, Aliens looks cleaner than its predecessor, and it's easier to make out movement but it's just as loud. Maybe my ears are getting old. The high points, aside from Weaver's performance (which is top notch again), would be the way the tension is built throughout, and the final showdown with Ripley in the loader suit (nice foreshadowing Mr. Cameron). But my historical gripe with this film is the portrayal of the army group. They're mostly cocksure dickheads, Bill Paxton being the most annoying of the lot. Between his 'game over man!' bullshit and Newt's glass-shattering screams, there's a bucket load of irritation in this film. There's also the obligatory 'just when you think it's all over....' bollocks, which is a facsimile dump from the first film.

Ultimately, Alien is a small, creepy horror film, whereas Aliens is guns and explosions porn; the bigger, the better. Visual grummer.

See also:

To round out the quadrilogy, have a look at David Fincher's Alien³ (1992) and Jean-Pierre Jeunet's Alien: Resurrection (1997).

Comments

Popular posts from this blog

Case 137

Here's a police procedural drama from the Alliance Francais French Film Festival with a minor key change. Case 137 is based on true events from 2018 during the Gilets jaunes (Yellow Vest) protests in Paris. The case (or dossier in the version originale) involves a young lad who was shot in the head with an LBD riot gun (basically rubber bullets) and then left on the street. He survived, but with life changing injuries. The IGPN internal affairs department are brought in to investigate. Léa Drucker takes the lead as Stéphanie, a single mum dealing with resentment from her ex-husband, his new girlfriend, and most other members of the force, who believe the cops should look after their own and not 'police the police'. Her teenage son is also concerned that everyone he talks to hates 'les flics'. There's a slight hitch in the case when it's discovered that the injured guy and his family come from Saint-Dizier, also Stéphanie's home town. Director, Dominik M...

The Quiet Girl

This is a great film, especially in the way that it manages to create something interesting out of a reasonably mundane synopsis. A young girl is sent away to a relative's house for the summer where she is treated better than at home. Sounds like it could have a bit of Rohmer-style youthful awakenings? Or maybe some gritty Loach-ian societal comment? Even perhaps a revenge tinged 'fear the youth' theme? Well, it's none of the above, and more power to its style. The Quiet Girl herself (Cáit) is a newcomer, Catherine Clinch, and she was apparently found via an Irish language school call out. She's incredible - meek, direct, no airs nor graces whatsoever, with a clear-eyed awkwardness. She's almost like a little female Bowie in The Quiet Girl Who Fell to Earth (no, not a film but I thought I'd italicise anyway). There are orbiting performances that complement her perfectly. Carrie Crowley and Andrew Bennet play Eibhlín and Seán Cinnsealach, the couple who tak...

Arco (Me) (Kid)

This is the first feature length film from French writer/director Ugo Bienvenu. It tells the story of futuristic kid, Arco, voiced by Juliano Crue Valdi in the English dub, and Oscar Tresanini in the French original - here I'll explain that I saw the preview of this with the English voice cast, so I'll mention them from now, unless I spy a notable Frenchy. Anyway, Arco is too young to fly to the past like his family do, but like any young ding-a-ling, he decides to chance his arm, and ends up in 2075. This is a more recognisable future for us than Arco's time, as we see climate change writ large on society. In this time-zone, Arco meets Iris (Margot Ringard Oldra) and her domestic robot, Mikki (voiced by a strange combination of Iris's parents, Natalie Portman and Mark Ruffalo). Iris wants to help Arco return to his time, but they're thwarted by a missing jewel that he needs in order to travel, as well as a trio of bumbling goons (Will Ferrell, Andy Samberg and Flea...

Best Films of 2011 to 2020 - End of Decade Report

I realised a few weeks ago that I've been doing the Film Shapes blog since 2011. This got me thinking that it might be a doddle to put together an aggregation of the top tens of each year, a kind of 'best of the decade' list. Not such an easy task. I've had to stretch a mooted ten out to twenty and the order has been troubling me for some days. As it turns out, all these films were actually made between 2011 and 2020, otherwise titles like Inception may have snuck in. Anyway, I'll leave you with this for now and bugger the consequences. 20. Slow West (2015) An odd, melodic Western, directed by John Maclean (of The Beta Band), this has young Scot, Kodi Smitt-McPhee crossing the perilous US west, helped or hindered along the way by their excellencies Michael Fassbender and Ben Mendelsohn. As the title suggests, it's slow-paced but that's what sets it apart from other films of its ilk. Come to think of it, this is a pretty lonely ilk. 19. Bohemian Rhap sody ...

The Magic Faraway Tree (Me) (Kids)

I probably read these books as a kid (can't remember) but I certainly read them to my kids a few years ago, so the whole family took a trip to the Palace cinema to check out this new film version. It's adapted from the Enid Blyton book(s) by Simon Farnaby, the writer of Paddington 2 , Wonka and Mindhorn , and directed by Ben Gregor, a British TV journeyman. The cast is chock-full of screen dignitaries, from Andrew Garfield and Claire Foy, to Python Michael Palin, to Dame Judi Dench as a talking fridge (!). Modernising this classic kids' book series from the 30s and 40s means adding some stuff about screen (over)usage, the splintering of the family unit, and the desire to get back to the basics of life. In this case, the Thompsons go rural in a rundown barn with old tractors, and chickens living on the stove. The family is made up of Tim and Polly (Garfield and Foy), and the three children, Beth, Joe and Fran, played by Delilah Bennet-Cardy, Phoenix Laroche and Billie Gadsd...

The Rivals of Amziah King

This final film at the Lotterywest Film Season for the Perth Festival is a surprising gem. It combines a great musical opening scene with a fine entrance from Matthew McConaughey. Writer/director Andrew Patterson knows who he's got on his hands here. McConaughey has fun with this role of Amziah King, his first real starring part since The Gentleman in 2019, and in fairness, the film probably wouldn't have been made without him. The story goes thus: a honey maker (or beekeeper, apiarist, professor of bees, call him what you will) is coopted into helping the police identify a stolen batch of honey barrels. After a frankly incredible (in the good sense of the word) honey heating procedure that goes off the rails, Amziah finds himself at cafe, where he bumps into Kateri, a young woman who used to foster with him when she was a kid. A star is unearthed here in Angelina LookingGlass (what a name!), in her debut film role, and the rest of the cast is fittingly grubby and grungy. Kur...

Guardians of the Galaxy

As the picture above suggests, Guardians of the Galaxy is a bit reminiscent of such films as Seven Samurai (and its remake, The Magnificent Seven ) and The Dirty Dozen . An unlikely bunch of misfits come together to fight something or somebody. Hatred and tension within the group leads to respect and friendship. Victory is achieved, albeit at some loss. This is not to undersell Guardians, though. It's a fun film with many things to like about it. It reminded me of Firefly and Serenity , especially the costumes and the design of the spaceships and planet vistas - the giant floating skull of 'Knowhere' is a stand-out. It's also a nice coincidence that Nathan Fillion (Mal in Firefly ) has a pretty funny cameo. Most of the humour in Guardians works. Not too esoteric (though I missed the joke about 'baby gravy') or American focussed, even the 1980s cultural references fit the lead character's situation. The lines are played straight and Chris Pratt h...

The Monkey

What's this then? Modern horror, I guess. Or just another addition to the relatively recent spate of animal-titled films: The Lobster , The Crow , The Whale , Pig , Lamb , First Cow , Black Dog , Red Dog ,  Dog Man ,  Monkey Man ,  Wolf Man , Cuckoo , Cocaine Bear , and Hundreds of Beavers . Whatever the reason for its existence, this Stephen King adaptation is a curious beast. Osgood Perkins (son of old Norman Bates himself, Anthony Perkins) writes and directs here. He also has a pretty funny cameo. The story starts with a bloke in a pilot's uniform (Adam Scott) trying to sell a windup drumming monkey toy (DON'T CALL IT A TOY!!). A bloody event occurs, not for the last time in the movie. Cut to 1999 where we meet Hal Shelburn and his twin, Bill (both played by Christian Convery), who live with their mother, Lois (an in-form Tatiana Maslany). The pilot of the opening scene is the dad/hubby who has done a runner, leaving the cursed monkey for the lads to find (though, to b...

Two Prosecutors

This Stalinist 'thriller' sets out its stall early, with a snowy prison yard holding our attention (or not) for a good few minutes. Prisoners are herded in, most very old and on the verge of pegging it. One such geezer is tasked with burning hundreds of letters to Josef himself, pleading with him to hear their case. The old guy saves a letter written in blood and so begins the story. The note is from an ex-academic, party member and proud Bolshevik, asking to see someone from the prosecutors office. Enter Kornev (Alexander Kuznetsov), newly appointed and eager. His meeting with the ancient political prisoner, Stepniak (Alexsandr Filippenko) opens his eyes to the creeping dread of the times. Kornev makes the trek to Moscow to see the Procurator General (Anatoliy Beliy) to make his case against NKVD corruption brough to his attention by Stepniak. It's not an easy mission. The bureaucracy and interminable fucking waiting throughout the first two acts of the film would make Kaf...

The Sparks Brothers

Here we have Edgar Wright's first stab at documentary film making, and it's something of a departure from his style. The chuckles are there but he seems to have gone for a reasonably risk-free structure - lots of talking heads, ups and downs of the subject, a chronology of their career and some pretty good music (a given for a music doco, I'd guess).  The subjects are Ron and Russell Mael of the band Sparks, admittedly unknown to me (aside from one song that was on the Kick-Ass soundtrack - This Town Ain't Big Enough for Both of Us). One of the taglines is 'Your favourite band's favourite band' and the folk that front up to wax lyrical about Sparks are fairly glittery. You have Beck, some of Duran, Duran, Flea from Chili Peppers, Bernard Butler from Suede, Alex Kapranos from Franz Ferdinand, some of New Order, Roddy Bottum from Faith No More, Mike Myers, Weird Al Yankovic, Jason Schwartzman, Neil Gaiman, Giorgio Moroder, Adam Buxton, Mark Gatiss, bloody hel...