One of my two trips to the cinema while back in Australia, I saw this at Cinema Paradiso in Northbridge (where once upon a time I used to get the odd free entry courtesy of the Pig Strangler). It seems to have retained its indie charm though not its old price listings - $17 for a ticket and $4.50 for a choc bomb! Welcome to Perth.
Argo is Benna Fleck's 3rd directorial effort and he seems to be growing into a pretty solid film-maker. He must have done his research regarding pacing (helps to have a good editor) and atmosphere. I've never really been a fan of his acting or presence on screen but he obviously knows how to get a performance from actors. In fact, I think he's a better actor when he's directing himself (or maybe he's just getting older and more familiar). The cast is fine all round, especially the relatively less well-known group on the periphery of the crisis. Their performances lend a pseudo-documentary feel to the whole thing, especially in counterpoint to the funnier, flashier Hollywood scenes with John Goodman and Alan Arkin.
Argo is Benna Fleck's 3rd directorial effort and he seems to be growing into a pretty solid film-maker. He must have done his research regarding pacing (helps to have a good editor) and atmosphere. I've never really been a fan of his acting or presence on screen but he obviously knows how to get a performance from actors. In fact, I think he's a better actor when he's directing himself (or maybe he's just getting older and more familiar). The cast is fine all round, especially the relatively less well-known group on the periphery of the crisis. Their performances lend a pseudo-documentary feel to the whole thing, especially in counterpoint to the funnier, flashier Hollywood scenes with John Goodman and Alan Arkin.
The aforementioned crisis is this little number that took place at the end of the 1970s and isn't often used as material for Hollywood dramatisations. The whole story sounds pretty preposterous but, according to declassified documents, it's generally accurate (albeit with a little tension building thrown in at the end). And it works for the most part. I was reasonably gripped as the story played out and only mildly annoyed at all the American whooping for joy as it reached it's conclusion. There is a sub-plot involving Affleck's character's family situation and while this fleshes out his role a bit, it doesn't really add much to the narrative. This aside, it's a fairly tight film with some nicely edited transitions (eg. spinning glass paper weight ---- to ---- record playing on a turntable).
The final credit sequence is a nice touch. The actual stills (I trust they are real) and passport photos of the protagonists are juxtaposed with the film's renditions and, as a self-congratulatory pat on the back for the set and costume designers, it works quite well. Jimmy Carter even makes an 'audio' cameo to lend the film some more authenticity. Meaty and enjoyable, a juicy lamb doner for your eyes and ears.
I loved this film! I've not been so enthralled at the cinema for ages. Also, $17? Dude that's cheap! You don't get into a cinema for much less than $25 these days! x A
ReplyDeleteI did pay $18 in Bunbury.....$25 is a crime though.
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